Abstract: Starting from the global view of the common foundation and goal of art and life, the goal is to make the fusion of art and life a reality. It is of great significance to understand the characteristics of art in reflecting life.
Keywords: national age, pluralistic style, modern concept, artistic sensitivity
introduction
Art is a creative work full of passion and vitality under the condition that people use certain material materials and tools and use certain aesthetic abilities and skills to interact with each other in the spirit and material materials, the mind and the aesthetic objects. Art comes from life. It is also a part of life. For art, life is like the flow of a river. For life, art is a wave of rolling water, the source of art is life, and life is the mother of art. Life gives art life and power, so art is also a reflection of life.
An art reflects life with national characteristics
Every nation has its own unique cultural traditions. The artistic creation of a country or region cannot be completely separated from its own traditional cultural life. With the works of different nationalities in different regions, we can treat a nation The arts, that is, the evaluation of emotional arts.
In the modern art, take China's disk buckle art and flower knot art as an example. Plate buckles and flower knots are one of the constituent structures of traditional Chinese costume art. In the handicraft tradition that has been circulated for thousands of years, this small costume theme has been developed into a broad space by intelligent and hard-working people. The Chinese learned from life. Knotting on ropes has experienced thousands of years of cultural and historical baptism. Whether it is from practicality to decoration or decoration to symbolism, its significance and scope have long exceeded the practical level of clothing and become spiritual life and material life for Chinese people. The indispensable component. The formation of plate buckles is a prominent expression of the aesthetic characteristics of Chinese costumes. Chinese clothing emphasizes rhyme, emphasis on connotation, emphasis on themes, and emphasis on the characteristics of dress and fun in the minimalism are fully reflected in a small dish buckle. The buttons that are rich in the features of the Oriental style are often very concise. The style of clothing became the crowning touch, forming contrasts of color, contrast of shapes, comparison of thinning and close relationships, and simple techniques that can receive very effective decorative effects; thus, it can be seen that its formation and popularity are traditional in China. The result of the intersection of clothing art, national cultural psychology and various artistic traditions and the influence of infiltration is a typical embodiment of the Chinese nation’s traditional arts and crafts reaching a high realm. When costume culture develops to today, designers from East and West are looking for inspiration from the tradition of Oriental costume culture, which embodies the national characteristics of this art.
The Second Art Reflects the Era Characteristics of Life
The consciousness and ideas of the United States are by no means immutable. Certain eras have specific values ​​and standards of beauty. The values ​​and standards of the United States are also governed by the economic base and social needs. The style of artwork will also be updated with changes in social life. It even changed.
Modern fiber art uses various fiber materials and is rooted in the ancient art of ancient knotting traditions. The traditional style of carpets, wall hangings including silk, embroidery, and brocade are all typical fiber art works. To put the word "modern" on it, it shows its timeliness and characteristics and style that distinguish it from traditional styles. Fiber art is firstly a kind of art that belongs to materials. Humans use fiber materials. Starting from practical needs, from labor utensils to life furnishings, people have invented the process of twisting and twisting fibers to create carpets, wall hangings, and curtains. Silk works, for thousands of years, the tapestry seems to be inseparable from the walls, of course, the carpet can not be separated from the ground, silk as a fine art or hand scroll or hanging shaft, the function and style of these traditional fiber arts are also retained Thousands of years. With the change of modern art concepts and the development of modern environmental art, since the 1960s, fabrics have stepped off the wall and the so-called “space carpets†have emerged, becoming a space that separates space and space, and space for beauty. Artwork, it marks the establishment of the concept of sculpture in the art of fiber, leading to the evolution of the art of fiber to sculpture, to the structure and space. Thus forming a new concept of "soft sculpture". One is the design around the sexual structure. The representative is the “Three Persons†of 1971 渥 利亚 利亚 莫 莫 莫 莫 莫 莫 莫 莫 , , , , , ,. Combinations, different winding styles make them unique. Become a powerful and sculptural work.
The other is a supporting structure that uses not only soft fiber material but also a portion of hard metal wire as a support. Claire Caisler's "light curve on the floor" consists of 20 tower-shaped gongs wrapped around red fibers. They are coarse to fine, sparse and dense, and vary in height and height, forming an upwardly rising and rising whole. . The dynamic structure uses the influence of wind and other forces to represent the tension of the fiber material and become a fashion of modern fiber art. In 1981, Daniel Grafing's “Structure of the Wind†made of nylon cloth inspired by the wind like a huge open sail in the field. In this process, the artist can not only feel the strong tension, but also the “sail†friction sound.鼓 鼓 鼓 鼓 鼓 鼓 鼓 鼓 鼓 鼓 鼓 鼓 鼓 , , , , 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。. The practice of modern fiber art for decades has brought new breath to the entire fiber art, and given itself some possibilities for development. It has discovered something that belongs to the past and belongs to the future. The characteristics of its era cannot be ignored.
The three arts reflect the diversity of life
Due to the development of modern society, the entire human spiritual world has undergone tremendous changes in breadth and depth. The birth and application of various science and technology, and the rapid growth of various modern concepts have caused drastic changes in human life. The sensibility of art has been greatly enriched and developed, which inevitably provides many possibilities for the diversified development of modern art. The birth and existence of art must not depend on the society in which it grows, refers to and serves. The external world in which artistic works are to be entered is a feature of the social discourse power embodied in artists and their works. When the postmodernist musician John Cage silently "played" the piano piece "Four Minutes and Thirty Seconds," when the French Dada artist Duchamp put an enamel in the exhibition hall and called it a work of art. At that time, when the almost naked actress and actress performed Shakespeare's "Midsummer Night's Dream" in Central Park in New York, when the avant-garde artists sold shrimp in the gallery or washed their feet. Compared with traditional art, they can hardly see it as a manifestation of various “worldviewsâ€, even though they have no common characteristics, and it is difficult to grasp the dissolution of traditional art in modern art and postmodern art creation. As long as art is inseparable from human beings and cannot live without the world of human life, as long as the arts maintains contact with the inextricable social life that exists in concrete and sensible reality, it can have the ability to produce perfect experience and can constitute The basis of normal aesthetic behavior. This creates a diversified development trend in which art reflects life.
Four artists need self-criticism
All self-criticism activities will focus on the overall process of human living civilization, starting from the global view of the common basis and goals of art and life. The goal is to make the fusion of art and life become a reality, not an absurd empty talk. Along with this, artists in the traditional sense will inevitably be changed, no longer selfish, but with the purpose of serving the well-being of the entire humankind.
-- Wu Yizhi (Department of Art Education, Huizhou University, Guangdong Province)
Source: Design Online