Culture is a synthesis of knowledge, beliefs, art, morals, laws, customs, and everything that has become a member of society.
In the long history of mankind, all activities for survival can be called culture. According to Kluck-Hohn, culture is the formation of acquired history and the design of explicit and implicit life styles in human life (Sy s tem of E xp lic it and Im p ​​lic
It D es ign fo r L iv in g) where the expression “E xp lic it†is an action or behavior, and the so called implicit (Ip plic it) refers to the norms of conduct, values, ideas, Supernatural view and more.
People have created and designed various articles for survival. These articles have inherited the internal and external related meanings of culture, reflecting the people’s life needs, social conditions, technology and production methods, ideas and concepts at that time. Improvements and more. Just as Klaus Kr ip-p end or ff and R e inh art B u tte r defined the definition of product semantics: Product semantics is a study of the symbolic characteristics of man-made objects in the context of use, and will Where knowledge applies to industrial design. Therefore, human cultural background deeply affects the design behavior of products.
â—‡ Design is a communicator between culture and products Design is a process of transforming abstract design concepts into concrete product entities. Designers play a role of mutual communication, and they understand the structure, materials, manufacture, and use status of products. It gives aesthetic value and embodies the product image in the mind. The designer communicates with the user through the product, but whether or not the interaction between the two can achieve a harmonious integration depends on whether the product can make sense to the user. Whether it can produce cognition--operational or psychological identification--whether it can arouse the user's memory of their culture and natural environment.
In the current design trend, the lack of coordination between the current science and technology and the design language puts forward the “Neooporim†view: designers seek their original inspiration from their cultures. Invisible in their design works, we can see the unique language and symbols of the designers, companies, and regions, which gives the design of the connotation and spirit of greater freedom and space.
表现 Product Culture Performance Traits The nature of culture is diverse, so the expression of cultural traits includes both material and non-material: the former refers to specific artifacts; the latter refers to ideas, perspectives, behavioral patterns, values. And various abstract things. Therefore, as long as we can extract a part of the qualities from it, we can express the characteristics of the culture through the transformation or promotion of the designers and evoke the viewer's own consensus.
In addition, designers can also start with aspects such as modeling, materials, and social awareness, cross the gap between time and space, link traditional emotions with modern technologies, and penetrate into everyday life. Apart from enjoying the visual beauty and convenience of use, the interaction between design and culture is even more worth pondering.
How does the cultural message present on the product? Follow the method of studying material culture in cultural anthropology. We can discover the cultural traits of the six artifacts that can serve as a reference for linking traditional and modern designs. (1) Form (2) Material (3) Color characteristics (4) Structure (5) System (6) Life style.
æ—¶ The time and space of product culture The cultural characteristics of products have their meaning in terms of time and space; products are processed products of culture, and culture has time and space. Due to changes in socio-economic patterns, ideas, and manufacturing techniques caused by time and space, it is inevitable that Affecting the symbolic nature of the product culture, the temporal and spatial factors have caused a change in the symbolic meaning of the traits. Here we first discuss the time and space factors of the products:
1. In addition to its basic practical value, objects also have the role of role transfer in people's consciousness. Just like the actors on the stage, they play another role that surpasses the true identity. For the user, it is a special representation. . This kind of role conversion can be applied to the design of products and can be applied to different structures, and it can be a creative design and form conversion between different types of goods.
2. Because of the favorable opportunity of the transition of time and space, when an item or a feature is developed to the maturity of a certain era, a model of style is formed in people's basic model (Schema). The secondary culture formed by the characteristics of the region, region, and ethnicity has gradually become a symbolic representative of this culture.
è±¡å¾ The symbolic meaning of product culture traits Once you have the concept of product time and space, you can clearly get the symbolic meaning of the six cultural characteristics of the product.
The symbolic form of Shape represents the aesthetic consciousness of contemporary and local people. The organic forms and geometric shapes in the form are often added with new meanings. For example, German functionalism produced geometrical aesthetics of mechanical aesthetics; Scand in avaia favored the vitality of organic natural forms.
The symbolic material of Tex Tune is very large, and its value is often determined by its stock. As we all know, gold is a symbol of wealth. In addition, different cultural backgrounds and materials produced in different regions are different, so we can learn the special significance of products from materials.
The symbolic meaning of the symbolic colors of the Coord (C o lo r) has quite different views in different cultures. Italian national enthusiasm can be felt from the vivid colors it uses; in addition to expressing feelings, people of different colors have the same meaning in different colors: in the case of yellow, the eastern representative is distinguished and elegant, and Western Christianity is regarded as shameful. Symbols; like red, the Western symbolizes sacrifice as a symbol of fighting, and the East represents auspiciousness and joy; therefore, color produces different cultural perspectives for different regions.
The symbolic aspect of the structure of the sturcture is the difference between the eastern and western cultures. Ancient Greece is stubborn in its golden ratio and strict symmetry requirements. This rational view is in contrast to the perception of perception in China. In addition, the lively nationality also prefers the use of curved irregular structures, because the unbalanced structure can easily give people a sense of movement and vitality. For example, the structure of Italian design is often unexpected; the attitude is more classical and conservative. The British design presents rigorous structural principles.
The symbolic forms of the Rüles are artifacts of ancient artifacts that reflect the social consciousness and philosophical thoughts of the time. Take "Wang Zong" as an example, the shape of the outer circle of the inner circle represents the cosmological view in ancient philosophy: the heavenly circle places, and the "Zong" circle is the symbol of the field. Judging from the current point of view, it is an ordinance and regulation; from the characteristics of the product's shape and size, we can be acquainted with the regulatory restrictions in the region; if there are often the same kind of products, the function or shape will be different due to different regional laws and regulations. The correction.
In the long history of mankind, all activities for survival can be called culture. According to Kluck-Hohn, culture is the formation of acquired history and the design of explicit and implicit life styles in human life (Sy s tem of E xp lic it and Im p ​​lic
It D es ign fo r L iv in g) where the expression “E xp lic it†is an action or behavior, and the so called implicit (Ip plic it) refers to the norms of conduct, values, ideas, Supernatural view and more.
People have created and designed various articles for survival. These articles have inherited the internal and external related meanings of culture, reflecting the people’s life needs, social conditions, technology and production methods, ideas and concepts at that time. Improvements and more. Just as Klaus Kr ip-p end or ff and R e inh art B u tte r defined the definition of product semantics: Product semantics is a study of the symbolic characteristics of man-made objects in the context of use, and will Where knowledge applies to industrial design. Therefore, human cultural background deeply affects the design behavior of products.
â—‡ Design is a communicator between culture and products Design is a process of transforming abstract design concepts into concrete product entities. Designers play a role of mutual communication, and they understand the structure, materials, manufacture, and use status of products. It gives aesthetic value and embodies the product image in the mind. The designer communicates with the user through the product, but whether or not the interaction between the two can achieve a harmonious integration depends on whether the product can make sense to the user. Whether it can produce cognition--operational or psychological identification--whether it can arouse the user's memory of their culture and natural environment.
In the current design trend, the lack of coordination between the current science and technology and the design language puts forward the “Neooporim†view: designers seek their original inspiration from their cultures. Invisible in their design works, we can see the unique language and symbols of the designers, companies, and regions, which gives the design of the connotation and spirit of greater freedom and space.
表现 Product Culture Performance Traits The nature of culture is diverse, so the expression of cultural traits includes both material and non-material: the former refers to specific artifacts; the latter refers to ideas, perspectives, behavioral patterns, values. And various abstract things. Therefore, as long as we can extract a part of the qualities from it, we can express the characteristics of the culture through the transformation or promotion of the designers and evoke the viewer's own consensus.
In addition, designers can also start with aspects such as modeling, materials, and social awareness, cross the gap between time and space, link traditional emotions with modern technologies, and penetrate into everyday life. Apart from enjoying the visual beauty and convenience of use, the interaction between design and culture is even more worth pondering.
How does the cultural message present on the product? Follow the method of studying material culture in cultural anthropology. We can discover the cultural traits of the six artifacts that can serve as a reference for linking traditional and modern designs. (1) Form (2) Material (3) Color characteristics (4) Structure (5) System (6) Life style.
æ—¶ The time and space of product culture The cultural characteristics of products have their meaning in terms of time and space; products are processed products of culture, and culture has time and space. Due to changes in socio-economic patterns, ideas, and manufacturing techniques caused by time and space, it is inevitable that Affecting the symbolic nature of the product culture, the temporal and spatial factors have caused a change in the symbolic meaning of the traits. Here we first discuss the time and space factors of the products:
1. In addition to its basic practical value, objects also have the role of role transfer in people's consciousness. Just like the actors on the stage, they play another role that surpasses the true identity. For the user, it is a special representation. . This kind of role conversion can be applied to the design of products and can be applied to different structures, and it can be a creative design and form conversion between different types of goods.
2. Because of the favorable opportunity of the transition of time and space, when an item or a feature is developed to the maturity of a certain era, a model of style is formed in people's basic model (Schema). The secondary culture formed by the characteristics of the region, region, and ethnicity has gradually become a symbolic representative of this culture.
è±¡å¾ The symbolic meaning of product culture traits Once you have the concept of product time and space, you can clearly get the symbolic meaning of the six cultural characteristics of the product.
The symbolic form of Shape represents the aesthetic consciousness of contemporary and local people. The organic forms and geometric shapes in the form are often added with new meanings. For example, German functionalism produced geometrical aesthetics of mechanical aesthetics; Scand in avaia favored the vitality of organic natural forms.
The symbolic material of Tex Tune is very large, and its value is often determined by its stock. As we all know, gold is a symbol of wealth. In addition, different cultural backgrounds and materials produced in different regions are different, so we can learn the special significance of products from materials.
The symbolic meaning of the symbolic colors of the Coord (C o lo r) has quite different views in different cultures. Italian national enthusiasm can be felt from the vivid colors it uses; in addition to expressing feelings, people of different colors have the same meaning in different colors: in the case of yellow, the eastern representative is distinguished and elegant, and Western Christianity is regarded as shameful. Symbols; like red, the Western symbolizes sacrifice as a symbol of fighting, and the East represents auspiciousness and joy; therefore, color produces different cultural perspectives for different regions.
The symbolic aspect of the structure of the sturcture is the difference between the eastern and western cultures. Ancient Greece is stubborn in its golden ratio and strict symmetry requirements. This rational view is in contrast to the perception of perception in China. In addition, the lively nationality also prefers the use of curved irregular structures, because the unbalanced structure can easily give people a sense of movement and vitality. For example, the structure of Italian design is often unexpected; the attitude is more classical and conservative. The British design presents rigorous structural principles.
The symbolic forms of the Rüles are artifacts of ancient artifacts that reflect the social consciousness and philosophical thoughts of the time. Take "Wang Zong" as an example, the shape of the outer circle of the inner circle represents the cosmological view in ancient philosophy: the heavenly circle places, and the "Zong" circle is the symbol of the field. Judging from the current point of view, it is an ordinance and regulation; from the characteristics of the product's shape and size, we can be acquainted with the regulatory restrictions in the region; if there are often the same kind of products, the function or shape will be different due to different regional laws and regulations. The correction.
Slicer and dicer(meat dicer) are used in different fields of food industrial such as for meat, cheese, vegetables, fruits etc. Helper`s slicer and dicer seies are applied in both restaurant and industrial plant. To produce portioned bacon, the Rib chopper will help. To make vegatable and meat mixture for dumpling production, QD02 vegetable dicer will be the best choice.
In addition to them,we also supply the cubing machines.
Potato Slicer,Food Chopper,Vegetable Dicer,Vegetable Cutter,Meat Dicer,Cubing Machines
Helper Machinery Group Co., Ltd. , https://www.helpermeatmachine.com